Thursday, 14 April 2016

Text Typography


From the layout plan I found that the font on the main body of text was very hard to read due to the long extended nature of the typography style. I have began looking at other fonts for main body's of test that will work along side the title font (the first font shown above) I have looked at three that i feel work, the bottom two use a similar but more readable style when the second is more of a simple graphic text style. I am more drawn to the second and last of the three. The last is similar to the title font but i feel that the second although differnt is more contemporary and could work interestingly with the rest of the aesthetics within the book. 

. Autumn Chant } Titles & Subtitle font                
. Moon Flower Main body of text (excluding enlarged letters and subtitles)       
. Nella Sue         
. Ke Aloha         

{ Testing in the main body of font } 


Moon Flower 
Nella Sue  
Ke Aloha 
From these images shown within the main body of text I am still unsure of what i will finally use. Ke Aloha has caught my eye the most although the bold nature of the typography takes me away from the delicate asthetic that the the two have and something I prefer. I will ask a number of people for there opinions as this will give me a better educated decision for final fonts. 

1st or 2nd- final two to chose from -(Moon flower & Ke Aloha) 

Tuesday, 12 April 2016

Before & After Chapters

I have story boarded my new technical skills developed, in a visual way that can be created as the production plan of the final book. I am able to see from this plan what the layout and the progression the book will form. Being constantly aware of the industry i am creating the book for I have referenced back to classical theatre publications while also injecting my own personal developmental flare yet more importantly being constantly aware of my target market. From the initial forming of the book I feel its all coming together into the aimed outcome of the project, in experimenting with the graphic layout and design I feel I have been able to design a visual that is unique in the context of theatre publications but that also creates the intended experience for the viewer each element being throughly planned have given me confidence in the final creation of the book.

Cover

Story Synopsis 






Cast Information 
  • Head shots & Cast information- after talking to Sharon about how i should structure this she suggested its a fictional play there for chose your ideal cast! Who would you envisage would play each character and there background. 
Layout & Graphic Design 

After looking a many programmes and theatre brochures i began to see a very coherent graphic theme between them all, square black and white headshot's accompanied with text to the right of the image of just below. Having decided to do some research on why the head shots within many of the programmes are black and white and it there was a reason for this i can across and article suggesting that it was outdated and many companies have a colour version of the head shot but for the purpose of theatre they are always presented as black and white. This seamed odd to me, the programmes are so bright and enticing and the people bringing the programme to life on stage are portrayed in a dull, flat black and white image. As my aim is to bring theatre and the way the programme can be published to the for front i was to explore other ways of displaying the cast information in a way thats innovative and just as interesting as the actors and actresses themselves. 



Above programmes, left to right, top to bottom: Les Miserables, Rebecca, Oklahoma, King Lear.

These are a few examples of layout that you could use to bring interest to the Headshot cast information, although the writing needs to be clearly read and Headshot not obstructed, other graphic designs layout could add, such as adding graphic lines around the face or using a cut out and some of the location photography. It is also important to keep the other pages around the chapters coherent taking elements from these layouts and using them loosely to tie the book together. 

https://uk.pinterest.com/milliejohns/book/

Practise Layout 


Play Acts 



''An act is a part of a play defined by elements such as rising action, climax and resolution. A scene is a part of an act defined with the changing of characters.
To be more specific, the elements that create the plot of a play or any story, and divide a play into acts include the exposition, which give information, setting up the rest of the story. Another is the inciting incident, which starts all of the action that will follow. Going along with the inciting incident, the major dramatic question is formed; this holds the rest of the play. The majority of the play is made up of complications. These are the things that change the action. These complications lead up to the crisis, this is the turning point. Most of the time, at this point, the major dramatic question has been answered. Finally, there is the resolution. This is the end of the play where everything comes together and the situation has been resolved. This leaves the audience satisfied with the play as a whole. These more specific elements of plot in a play are the main things used to divide a play up into acts and sometimes scenes.
The Roman theatre was the first to divide plays into a number of acts separated by intervals. Acts may be further divided into scenes; in classical theatre each regrouping between entrances and exits of actors is a scene, while later use describes a change of setting.
Modern plays often have only one level of structure, which can be referred to as either scenes or acts at the whim of the writer; and some writers dispense with firm divisions entirely. Successive scenes are normally separated from each other in either time or place; but the division between acts is more to do with the overall dramatic structure of the piece. The end of an act often coincides with one or more characters making an important decision, else having an important decision to make. A decision which has a profound impact on the story being told.'' -https://en.wikipedia.org/wiki/Act_(drama)
Practise & Initial Ideas 








''Chapters''

Backstage 


Backcover 





This yellow moss has been taken from the location photography cut and crop in photoshop, I feel it gives the back cover the layering effect and a creative flare that I have been looking for combining all my skills through this graphic layout achieving a successful visual aesthetic.



Monday, 11 April 2016

Location Photography

For the chapter three i wanted to include some location photography to add a layered construction of the scene setting adding depth I feel pushes the chapter into something more real building a bridge between production photography and location editorial photography in a way. As I could have sourced the images from the internet I stayed away from this wanting to actively produce the images myself knowing the clear visual aesthetic I wanted. I went out with a set idea and took photographs based around the similar emotive value of the play such as the dark bark moss photograph | wanted to take images that were not always defined as objects more just natural textures and interesting light placements. I really enjoyed shooting these images as I really became invested in them and matching them with the emotive feeling in chapter 3's imagery I feel they mirror one another perfectly.

Themes / Key Words


  Decay   Raw   Etherial    Fairy-tail    Silhouette   Linier   Natural 
https://uk.pinterest.com/fatelondon/

My Photography 







Chapter 3/ Practise Location Crops